AHH! That’s What I Call Horror: An Anthology of ‘90s Horror
Available now!
it’s horror… in the ‘90s
Brand spankin’ new fiction from S.E. Denton, Bridget D. Brave, Chelsea Pumpkins, Christopher O’Halloran, Caleb Stephens, Edith Lockwood, C.B. Jones, Mathew Wend, P.L. McMillan, Carson Winter, Patrick Barb, J.W. Donley, J.V. Gachs, and Damien B. Raphael.
Set during the decade of flannel shirts and neon dolphin Trapper Keepers, Ahh! That’s What I Call Horror is guaranteed to be all that and a bag of haunted chips.
You won’t need a dial-up connection to reach the beyond in this time-warp to the ‘90s. With undead grunge rock icons, menacing action figures, family sitcoms gone very wrong, and more: these terror tales will return you to the end of the old millennium.
How will you get back?
Like, who says you will?
Fans of The Midnight Club, My Best Friend’s Exorcism and The Pallbearer’s Club will love AHH! That’s What I Call Horror: An Anthology of ‘90s Horror. This book is jam-packed with dial-up internet nostalgia, creepypasta-inspired monsters, occult rituals, Camaros, camcorders, weed, time travel, flannel shirts, Lisa Frank imagery, VHS weirdness, and a whole lot of nineties music.
— Christi Nogle, Author of The Best of Our Past, the Worst of Our Future
AHH! That’s What I Call Horror is an anthology that pulls on the most familiar and iconic elements of the 90s and draws it into a kaleidoscopic flurry of atmospheric stories that emphasize both the eerie and the uncanny. With witty characters, vintage backdrops, experimental formatting, and quirky but dark narratives, the stories breathe new life into pulp horror. It allows for a glimpse into the darkness of a time when I had just been born, but even so, these characters make me believe that I have known them all my life, have walked past them down the road, seen them watching me through the window across the street.”
— Ai Jiang, author of Linghun
Nostalgia comes home to die in these fourteen stories, re-examining a horrifying decade without rose-colored glasses. The early days of the internet and the last gasp of a century on videotape all delivered in pulsing neon prose.
— Andrew F. Sullivan, author of The Marigold and The Handyman Method
